R. G. Collingwood,
in his book The Archaeology of Roman Britain, emphasizes the historical
value of epigraphic texts, calling them "contemporary and authoritative
documents, whose text if legible cannot be corrupt
" Certainly
I agree with him about their value. For me, however, there is also
a perverse temptation to "corrupt" a text that has remained
unchanged for 2000 years. On finding in the Rome Coliseum a large
building stone bearing the textual fragment "LOSEC," I
feel an irresistible urge to change the "C" to an "R."
Traveling with a relatively cheap digital camera and laptop these past months, the
method for effecting such a change was clear.
Call it digital sampling, only instead of borrowing from contemporary
source material, the data sampled and remixed comes from cultures
that no longer exist. The desire is not to merely appropriate this
antiquated imagery and text, but to look for resonances to
create a kind of conceptual bridge between ancient and contemporary,
upon which content might flow in both directions.
|